Monday, November 5, 2012

Monsters Were At Once


Monsters are easy to understand as projections of the human mind, and thus as representations of some fear; however, the modern understanding of everything psychologically is a recent phenomenon. 
For most of human history monsters were taken at face value. If they represented anything, it was only within their own worldview. When monsters were really believed in, they were not seen as windows to the human mind but as a breaking of the natural order.
To the highly supernatural thinking of the human past the monster was seen as either an affront to divinity or as a punishment from divinity. In earlier thinking, drawing upon ancient myths, monsters were an explanation for what we would today call natural disasters--earthquakes, typhoons, forest fires, etc.
 More, they were not believed in in the way we would nowadays describe belief--holding something to be true on faith despite reality--but because everything in people's experience spoke in favor of their existence. This is a paradigm shift that few people have noticed, conditioned as we are to the modern scientific worldview. Ancient peoples were not superstitious in the way we imagine.
A superstitious person truly is a remnant from an earlier paradigm that has survived into a new, and replacement, paradigm. In a very real sense, ancient beliefs cannot be considered superstitious, in that given the dominant worldview of their time they were actually quite logical.
This is something difficult to understand for the modern mind: the dichotomy between the rational and the irrational is largely a modern construct, and woefully mistaken. The irrational is something truly rare, in any time. The human mind is by its very nature a pattern seeker, so that rationality, the connecting of cause to effect, is present in every human being from the very beginning. What this means is that people in the past cannot in a coherent way be called irrational. 
When we use the word irrational to label people who do not share the dominant worldview, it is similar to when other people in the past used the word heretic. We are, in other words, using blinders based on cultural biases to label other people. People in the past were not irrational. What this means, of course, is that monsters were at one time real but are not anymore.
By and large people have always been rational, and even their most outlandish beliefs have behind them some rational base. This is so because all reason is built upon premises, and these we generally receive unquestioningly from our societies, the same way other peoples in other times received theirs from theirs.
 Our modern worldview is built upon materialism, hence our reasoning must follow a materialist pattern. That this was not always the case should be obvious to even the most casual student of history. Not too long ago, the dominant worldview was a religious one, so that all observed phenomena had to be interpreted through a specific set of assumptions.
This, of course, led to profound absurdities--though it should be noted that modern materialism has led to some rather extreme absurdities, too, such as the silly theory of Memes. It should be understood, however, that these absurdities are not irrational but the logical conclusions of taking their particular premises to their limits. People have always been rational, but reason has its limits; namely, the premises it's working from.
When monsters really existed, the dominant worldview was what we now call animism--the belief that everything that existed possessed desires, sentience and intentionality. Thus if the wind ripped the roof from off your house, the logical, rational conclusion would have to be that the wind was upset with you. Bear with me for a moment. Suppose that your neighbor walked over to your mailbox and proceeded to kick it until it broke, what would you think? Getting past your own emotional reaction to the event, the only logical conclusion would have to be that your neighbor is upset with you.
It would truly be irrational, as you saw him stomping away at your property, for you to think, "Gee, what a nice guy, he must truly like me." This is simply logic. However, all logic is based on premises, and for human beings the most basic premise is our own emotional blueprint--this is how we know, for example, that people do not vandalize our property because they mean us well. Under animism, if the wind is understood as being a person and it tears off your roof, what is the logical conclusion?
Monsters are, of course, something slightly different from the first products of animism, an aberration if you will. When people encounter forces that can harm them, their natural reaction is to destroy them, appease them, or run away from them. Those things people can destroy, they stop fearing; those they can appease, they call gods; those they must flee, they call monsters. Those they can neither appease nor run away from become demons.
From a psychological perspective this is all very easy to understand as projections of the human mind in interaction with nature. From a state of unconsciousness thrust into a state of full consciousness, our only point of reference is ourselves. We interpret everything we encounter through the blueprint of our own consciousness and emotional-matrix. Thus everything is a person because we are persons. However, as we know that not all people mean us well, so is it with the forces of nature, some of it is just nasty. And the same way we deal with people, we dealt with nature. 
At times we tried to fight it--building dams, casting spells, appealing to mystical forces from beyond to help us control it--at others to appease it--offering sacrifices, performing rituals, praying--and sometimes we just ran. Until the modern era, every method for dealing with nature was modeled on dealing with other people. The gods were modeled on dealing with kings, or with fathers; demons on dealing with psychopaths; and monsters on dealing with dangerous anomalies.
While we can understand this intellectually based on our own modern paradigm, we do a great disservice to our ancestors by ignoring the reality as they experienced it. For us it is easy to say that all monsters are projections of unconscious fears because we live in an age were what gave rise to those fears have either been conquered or reinterpreted through a different model.
 When an infant dies, for instance, we do not claim that Lamatsu--the mother of all vampires in Sumerian religion--killed the child; instead, we say it was something called germs. We also, like the ancients, have our own rituals to keep the monsters away--we wash our hands with soap, brush our teeth, etc., to keep the germs at bay. Now don't get me wrong, there is a difference between what we do and what the ancients did to keep our own particular monsters at bay; namely, that what we do actually works. However, what I'm trying to get across here is that monsters were not the products of feverish, hysterical minds but logical conclusions given the premises people were working from.
We are in a superior position to that of our ancestors because we are built upon them. However, our superiority is cultural--thus tenuous--and not intrinsic. We are not better people as such--though culturally I sincerely hope we are. Human history really is the history of perception. At first we see ourselves in nature, and everywhere we look we find intention; then, as time goes by, we see a little bit less of ourselves in nature; until, finally, we come to a time when we do not see ourselves at all in nature--we call this objectivity. This has largely been accomplished not by reason but by an overcoming of fear and insecurity, which are the true parents of all monsters.

Saturday, November 3, 2012

Learn To Fly In Air

 want to learn to fly you've researched and obtained as much information as you can, you've decided on what flight school to use and have investigated what they have to offer and the possible cost of this adventure in carrying out your private pilot training. You have got the finances in place and have studied as much as you can on your own. You've even ensured you can fit the training around your job or college course.
However you still feel very nervous about doing it, you are asking yourself things like;
· What if I have not got the aptitude to learn to fly?
· What if I cannot stay the course and all that time and money is lost?
· What if I am air-sick all the time?
All these doubts are perfectly normal and definitely nothing to lose any sleep over. The easy answer is taking a trial lesson, nearly all flight schools understand what you going through and they all provide trial lessons. Remember they want your business so will not let you commit to a course that is not right for you. If the flight school you have chosen does not provide this service then find one that does, sometimes the cheapest school is not always the best.
All this aside remember what got you interested in learning to fly, the opportunity to have the freedom of the air (no sitting in traffic all day long), seeing the ground from a completely different angle, the sheer joy of the space and movement that flying brings and not let's forget the possibility of a new career.
OK you've learnt all about the aerodynamics of flight, you've learnt basic procedures about checking your aircraft before flight and the use of the radio and the rules regarding ground and flight movement. Now it's time for your first lesson, you approach the aircraft listening intently to what the instructor is telling you, you claim into the cockpit and the butterflies in your stomach kick in, the adrenaline starts flowing and your shaking like a leaf. The instructor taxies' the aircraft onto the runway opens the throttle and the next thing you know you are up and flying, the nerves are still there and then all of a sudden you get that brilliant feeling called flying (being free of the ground). You start to relax and really enjoy the next tingling sensation as the instructor allows you to take control (all be it with their help), nothing to match it, except one more thing and we come on to this next.
You've done a load of flying hours and are now feeling relaxed and a little confident in this private pilot training thing, you now confidently walk to the aircraft carry out all your pre-flight checks, taxi the aircraft to the runway and take off and there's that amazing feeling again of being free of the ground. The instructor wants you to fly a circuit and perform some touch and goes and you are happy and relaxed doing so. You fly another circuit and land, taxing the aircraft to the bays and then you are told not to stop the engine, the instructor gets out of the plane and tells you to fly another circuit on your own. That's it the nerves that you thought you had finally conquered all kick in again. You inform control via the radio 'student pilot first solo, permission to taxi'. At the end of the runway you check everything twice (nerves again) open the throttle and start your take off run pull back on the stick and the next thing you know is you are flying on your own, nobody in the seat next you and only you are responsible to get this valuable aircraft back on the ground without hurting yourself or anyone else. Flying your circuit you enjoy this amazing experience of being free and in control.
You land, taxi to the bays, carry out your post flight checks, climb out of the aircraft and you then realise that you have just flown your very first solo, an absolutely amazing experience and definitely one you will never forget, even if you never fly again.

What To Wear On Awards Ceremony


An awards ceremony is a formal event. Depending on the industry some events will be more creative than others and some will be conservative. The invitation will state what is required for example 'Creative Black Tie encouraged' If you are still at a loss for what to wear follow this guide to inspire...
Ladies

The Dress
Ladies don't have it quite so easy when it comes to dressing up for a Black Tie event, little black dress with pearls for a formal business function, to something far more glamorous with 'important' jewellery! Dresses can be either short cocktail dresses or long evening gowns. The latter are more elegant. The dress should be floor length, below the knees or to the knees. It should be made from high end materials like satin, silk, velvet or brocade. A good rule is to balance the amount of skin on display if you opt for a strapless, go with no slit in the skirt of your dress. If you are wearing a cap sleeve or covering up shoulders with a shrug, showing a subtle flash of leg is fine. Be sure you have appropriate undergarments like a strapless bra or shapewear that fits you properly to create a pristine, finished look under your dress. The choice of evening gowns is endless. There are no restrictions to colour and design, or even taste. Some wear long gloves and shawl, which is optional per etiquette rules, a woman should remove her right glove before entering a receiving line so she may shake hands. Hair should look shiny and polished, and make-up should look fresh. Refrain from any heavy make-up looks that can appear garish. It is recommended you get your hair and make-up done professionally. However, if you do it yourself, keep it natural, simple and classic.
The Shoes
Due to the length of some award events, wear comfortable shoes. They should be made from the same materials of your dress or bag and in the same colour.
The Accessories
A woman's jewellery choices should also reflect the formality of a black-tie affair accessories are the finishing touches to the outfit. Diamonds or pearls are an acceptable choice. A simple or chandelier earring, a more formal bracelet or necklace is also appropriate. Keep it simple and don't overdo it. Make more of a statement with one or two fine pieces. Carry a small clutch or bag that matches your dress or shoes.
Gentlemen:
Creative Black Tie
Black Tie, when worn correctly, is not to be taken literally: it does not mean wearing a black tie - one is not going to a funeral. Black Tie is more diverse than some imagine, it can be dressed up or down. The reason men wear black and white is so that it acts as a blank canvas for their partners to wear whatever colour they so wish (within reason, of course).

How To Make A Nice Handbag


It seems that no matter where you go, you find people toting photo handbags, keychains, buttons, t-shirts and other items featuring pictures of their children or grandchildren. It is easy to see why these items are so popular; after all, keeping photos of your loved ones close at hand can be an excellent way to share your joy with others. Of course, treasured photos also help provide happiness and a sense of pleasure every time you look at them, especially when you cannot be with the ones you love as often as you would like.
For women, choosing a convenient handbag or tote that allows them to display photos of their favorite travel destinations, loved ones or even pets can be a fun way to keep these memories alive. Of course, men will also enjoy having a personalized tote to carry their things. Additionally, sharing photos is something that everyone enjoys; kids, parents, grandparents, aunts and uncles, everyone loves pictures. Whether it is a cute holiday photo of the kids, a major sporting achievement or simply a treasured family heirloom picture, a handbag offers both a functional way to carry personal items, as well as a great way to display these photos.
While it is possible to purchase photo handbags that are ready for you to simply slide in your pictures, these handbags can also make a great craft project. If you want to try making your own photo bag, be sure to choose a material that is both durable as well as light in color. Dark colors tend to make photos difficult to see. In addition to the fabric, be sure to purchase either a matching or contrasting thread, depending on your own personal preference and any embellishments you would like to include.
There are many patterns available for making handbags and totes. The pattern you choose should allow enough area for photos to be displayed. If you choose a small handbag design, you will be very limited in the number of photos you will be able to include in your project. You will also want to choose a photo transfer kit that is designed to work with the type of fabric you have chosen. These kits are easy to use and require nothing more than your home computer and printer.
Once you have transferred your pictures to the fabric, you are ready to begin assembling your handbag. Follow the pattern directions and sew your bag, including adding any embellishments, such as zippers, buttons or trim. Making your own handbag is a fun and rewarding project and something that even the kids will enjoy. However, there are some simple tips that can help ensure that your project turns out great. For example, choose photos that are in focus and do not have a great deal of background clutter. Simple portraits or close-up shots often work the best. Take your time and lay out your photos, trying various combinations and patterns. Only after you have found the best lay out for your project should you begin printing.
Another important point to consider is how you will protect your photo bag once it is completed. You can find spray fabric protectors that provide an easy wipe-clean surface; however, it is important to read the directions that come with your photo transfer kit and follow the manufacturer's recommendations regarding care and cleaning.

Magic And illusion


If you would like to learn all about magic and illusion and become one of the best magicians around there are some tips and tricks you will need to learn to get started on your magical adventure. You can check out magic and illusion books from the library and you can search online for many pointers.
Great magicians from around the world have spent many hours and even years honing their craft. Most famous magicians suggest you study the art of formal magic tricks as you journey towards the path of magical success.
Also as you progress in your craft, it is important to meet other magicians. You can join forums online that will connect you with them. In the magic forums you can pose different questions you may have so that experienced magicians can guide you to the best answers and solutions.
You can also join local magic clubs I your area to even better hone your skills. Check online for your area of the country and you will find a list of the best clubs to join. As you magic career progresses, you will probably get a lot of use out of DVD's made especially for your area of expertise. As you watch them and practice, you will get better at your style of magic and in turn develop your own personal flair.
Once you learn your own style, you will then be ready to put together your own personal routines and learn how to thrill your audience. The kinds of tricks you choose to perform have a lot to do with the audience and the venue that you are performing in. You will also want to learn tips on how to overcome nervousness and stage fright. Nerves are one of the worst enemies of a beginner magician. To be successful you will have to learn techniques to overcome them.
Many people who have loved magic for years and supported it as an art form have been disillusioned lately. It seems the craft has changed and many would like to see magic return to the way it was with the greatest magicians from long ago gracing the stage. After all, what is magic without a lovely assistant on stage with the diviner himself?
It doesn't matter if you want to do the basic tricks such as pulling a rabbit out of a hat or basic card tricks to the more difficult illusions such as that of David Copperfield, the more you practice and research the art form the better you will become and the more you will thrill your audience.

Making Your Own Sticker At Home


Stickers are fun for children to personalize their things and a good way for adults to organize shelves and files. Homemade stickers are even better, because they can have unique and personal designs that are special for each person. It is easy to make your own stickers with ingredients found in most kitchens and can be a fun rainy-day activity.
First, gather the ingredients:
- White glue
- White vinegar
- Printer paper
- Wide paint brush
- Wide packing tape or contact paper for gloss and protection
- Scissors
- Small spray bottle for water
Next, design the stickers on the printer paper. They can be drawn or printed, on the page. It is a good idea to fit as many stickers on one page as possible. Leave about one inch between each sticker so they are easy to cut out. Stamps and ink pads, crayons or tempera paint can be used to create the sticker designs, but water-based markers or paint should not be used. The colors will run when the sticker is moistened for sticking.
The glue is made with two measures of glue to one measure of vinegar. It is possible to save the glue after it is made, so making too much is fine. It can be saved in a sealed jar for the next time someone wants to create personalized stickers.
The glue is then brushed onto the back of the page of sticker designs. The application should be thin and even, and every sticker should be completely covered. The first layer of glue should be brushed on in a horizontal direction across the page and after that layer completely dries, a second layer should be brushed on in the vertical direction. Just make sure the two coats are in different directions.
When the pages completely dry, they will be a bit wrinkled. They can be put under an even weight such as a large book or pile of magazines to flatten.
Once the pages are flat, the gloss can be applied. The clear packing tape is applied evenly across the page. A straight edge such as a ruler can be used to make sure the tape lies flat with no bubbles. For larger designs, contact paper can be applied. The gloss step is optional and not essential for great looking stickers.
After the gloss is applied or when the pages are dry and flat, the stickers can be cut out. They can be cut exactly on the edges of the design or a small, white edge can be left around each sticker. This is up to the personal taste of the creator.
When you make your own stickers, the fun part is to apply them. They can be applied to notebooks, furniture, windows, helmets and much more. The sticker will remain longer on a flat, slightly porous surface.
To apply, the back of the sticker should be slightly moistened. This can be done with the small spray bottle or a damp cloth. The moisture needs to be evenly applied to activate the glue. Too much moisture will make the glue too wet and it will not dry well, and too little moisture will not activate the glue.
When the sticker is applied to a surface, it should be smoothened flat and held there for a few seconds. Homemade stickers make a great personalized gift. They should be wrapped in waxed paper for storage.

"Budget" Is it A Bad Word


Want to start a fight? You can almost see the hackles start to rise. It's really too bad that "budget" has become such a negative word, because there's a lot of power in a budget.
The reality? We're all on a diet. Your diet is what you eat. Literally - go look it up. Similarly, we're all on a budget - our budget is the sum of all the money we earn, and all the money we spend. The problem is, that left to our own devices, we'll choose a diet that takes in more calories than we burn, and we'll choose a budget that spends more than we earn.


The negative opinion we have with "diet" and "budget" come not from the fact that they exist (because we all have them), but from our intention to exercise them with discipline. Discipline is hard. "No discipline seems pleasant at the time, but painful. Later on, however, it produces a harvest of righteousness and peace for those who have been trained by it." Heb 12:11
At the heart of the matter, we all have a budget - but the financially responsible have a budget that they set ahead of time, and the financial zero has a budget they struggle to determine after the fact. It's not even necessary that your budget be positive (look at the last four years for the government of the United States for an example), just that you have a plan, and that you monitor your progress against the plan. Do just this, and you will find that you control your money, rather than the other way around.
Start now!
If you're not budgeting, don't worry - it's easy to get started, and once you're under way, you'll find that it's easy to continue. There are really only a couple of steps:
Month one: Keep track of the money you spend, and the money you earn
Month two: Based on spending and earning from Month one, plan this month's spending and earning.
Month three: At the end of Month two, measure what you actually earned and spent. Compare to your plan (your budget) and understand where they were different. Then make a plan for Month three spending and earning.